Rav Raav (David)

Rav Raav (David)

Group Roles

Chris Forrest:


- Storyboard artist

- Co-camera man

- Co-director



Jamie Hunnisett:

- Storyboard designer

- Co-camera man

- Actor



David Duffy:

- Co-Director

- co-cameraman

- Chief of Safety

Health and Safety considerations:

Lighting:
When using either the red heads or the portable lights we must make sure that any waires are taped up and that the lights themselves are on a stable base as so thay do not fall and cause injury. GLoves will be used when handling these lights, especially when they are turned on to avoid buring

Props:
As we are planning to use knives in our film we must make sure that we handle them with care, especially around other people

Trains:
We are going to be filming at a train station so we must take obvious precautions to not endanger ourselves or other people that may be at the station

Synopsis of Thriller opening - David, Chris and Jamie

We want to keep the story of our thriller opening simple, but we also wish to make the veiwer want to carry on watching the rest of the film. We will do this through raising Enigma codes and use of restricted narrative.



The plot of our thriller will be based on a phycotic murderer who is pursuing a victim. We will base this in a village and the targeted victim will be at a train station when the attackes choses to strike. The victim is then taken back to a house where he is gagged and knocked out by the murderer, with the use of knives the killer will kill people from his list of targets. The list is kept in the form of pictures.

The film starts whilst the victim is on the floor of his house, there will then be a flashback and the story will follow from there.



Thursday 29 April 2010

Se7en title sequence analysis - David Duffy



- We see extreme close ups, this provokes enigma due to the fact that this is possibly the killer and we cannot see everything that he is doing. This will frustrate the audience and will create closed narration.



- The various things that the antagonist does on screen are disturbing eg cutting his skin off, and this will raise the question to the audience as to why he is doing this



- The non-diegetic sound of the music has a very uneven and uncertain tone. This keeps the audience on edge as they will not know what is coming next



- The text used o the titles are interchanging and are constantly moving to represent the uncertainty of the situation and the killer. The colour of the text is grey, connoting misery and death



- The text is related to the narrative of the film but does not interfere with the actual actions on screen



- We are given a frustratingly short time to view the antagonist’s setting, the codes that could hold many answers to the later part of the narrative, this frustrates the audience and is use of closed narration



- The setting seems, dark, dank and the colours of the props around the character are all of blacks, greys ect, all of these could be seen as connoting death


- Also precision of tool usage is important in representing the character traits of the antagonist, shows how calm and calculated he his. but at the same time the pictures we are shown on his table and the music that is played shows how perhaps he is ready to snap

No comments:

Post a Comment