Rav Raav (David)

Rav Raav (David)

Group Roles

Chris Forrest:


- Storyboard artist

- Co-camera man

- Co-director



Jamie Hunnisett:

- Storyboard designer

- Co-camera man

- Actor



David Duffy:

- Co-Director

- co-cameraman

- Chief of Safety

Health and Safety considerations:

Lighting:
When using either the red heads or the portable lights we must make sure that any waires are taped up and that the lights themselves are on a stable base as so thay do not fall and cause injury. GLoves will be used when handling these lights, especially when they are turned on to avoid buring

Props:
As we are planning to use knives in our film we must make sure that we handle them with care, especially around other people

Trains:
We are going to be filming at a train station so we must take obvious precautions to not endanger ourselves or other people that may be at the station

Synopsis of Thriller opening - David, Chris and Jamie

We want to keep the story of our thriller opening simple, but we also wish to make the veiwer want to carry on watching the rest of the film. We will do this through raising Enigma codes and use of restricted narrative.



The plot of our thriller will be based on a phycotic murderer who is pursuing a victim. We will base this in a village and the targeted victim will be at a train station when the attackes choses to strike. The victim is then taken back to a house where he is gagged and knocked out by the murderer, with the use of knives the killer will kill people from his list of targets. The list is kept in the form of pictures.

The film starts whilst the victim is on the floor of his house, there will then be a flashback and the story will follow from there.



Sunday 7 February 2010

Opening Analysis - Double Indemnity - Jamie Hunnisett

http://www.youtube.com/watch?v=ZI73zPyYq1o

Camera Shots - All camera shots are shot in black and white, obviously because of the time the film was created.

-The opening shots are medium to long shots of a car tearing around the streets of what looks like New York.

-Most of the shots following are medium shots of the subject, they have used low and hugh angles, to raise suspicion maybe? The viewer is never on the same level as the detective, signifying that the viewer may not know what the detective does.

-There is an interesting shot of a man, showing alot of space, this could be to show vulnerability

Character Types

-A man who looks like he could be a detective, from what we see is is dressed very smart, meaning he is most likely very professional and takes care in his job. He is quite sweaty, so maybe he is nervous.

-Woman dressed in white, obviously because it is filmed in black and white the white of her dress stands out in the boring dull setting, this has probably been done deliberately to show innocence.

Setting

-At first we see the streets of what i believe is New York, it is set at night, so everything is made just that bit more mysterious

- We then see what seems like a hotel, we can see that the floor is marble, and the hotel looks very posh and expensive.

-The rest of the opening is situated in a hotel room. The hotel room is very formal, with desks and chairs, almost like a business room. Again suggesting the man is some sort of detective.

Binary Opposition - We dont see any sort of oppostion int he opening sequence. Just a phone call, which could be linked.

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