Rav Raav (David)

Rav Raav (David)

Group Roles

Chris Forrest:


- Storyboard artist

- Co-camera man

- Co-director



Jamie Hunnisett:

- Storyboard designer

- Co-camera man

- Actor



David Duffy:

- Co-Director

- co-cameraman

- Chief of Safety

Health and Safety considerations:

Lighting:
When using either the red heads or the portable lights we must make sure that any waires are taped up and that the lights themselves are on a stable base as so thay do not fall and cause injury. GLoves will be used when handling these lights, especially when they are turned on to avoid buring

Props:
As we are planning to use knives in our film we must make sure that we handle them with care, especially around other people

Trains:
We are going to be filming at a train station so we must take obvious precautions to not endanger ourselves or other people that may be at the station

Synopsis of Thriller opening - David, Chris and Jamie

We want to keep the story of our thriller opening simple, but we also wish to make the veiwer want to carry on watching the rest of the film. We will do this through raising Enigma codes and use of restricted narrative.



The plot of our thriller will be based on a phycotic murderer who is pursuing a victim. We will base this in a village and the targeted victim will be at a train station when the attackes choses to strike. The victim is then taken back to a house where he is gagged and knocked out by the murderer, with the use of knives the killer will kill people from his list of targets. The list is kept in the form of pictures.

The film starts whilst the victim is on the floor of his house, there will then be a flashback and the story will follow from there.



Tuesday 9 March 2010

Collateral Opening Analysis - Chris Forrest


The sequence begins with the sound of an airplane, which tells us that the first few shots are set in an airport. The first thing we see is a cross cutting sequence of two men walking, we are not aware that they are linked in any way untill we see them bump into each other and drop their breifcases on the floor. A close up of the briefcases draws our attention to them, and we see the characters purposely pick up a different breifcase to what they were carrying before. This is the first enigma code raised - what's in the briefcases? and why did they swap? It also makes the audience question the identity of both characters seen in this shot.

After the briefcases were swapped, the cutting between shots became quicker. Tense eerie music also began to play in the background. This fast pace action creates tension and raises another enigma code - what is going on?

Not alot is given away about the characters identities or personalities, but due to their body language and facial expressions, we can be sure that they're determined figures on a mission of some sort.

Close ups are used alot in these opening shots, so that the location remains relatively unknown, which creates suspence. Because of how effective this technique is, i have been inspired to involve it in our group film, due to how it makes the audience question what's going on.

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