Rav Raav (David)

Rav Raav (David)

Group Roles

Chris Forrest:


- Storyboard artist

- Co-camera man

- Co-director



Jamie Hunnisett:

- Storyboard designer

- Co-camera man

- Actor



David Duffy:

- Co-Director

- co-cameraman

- Chief of Safety

Health and Safety considerations:

Lighting:
When using either the red heads or the portable lights we must make sure that any waires are taped up and that the lights themselves are on a stable base as so thay do not fall and cause injury. GLoves will be used when handling these lights, especially when they are turned on to avoid buring

Props:
As we are planning to use knives in our film we must make sure that we handle them with care, especially around other people

Trains:
We are going to be filming at a train station so we must take obvious precautions to not endanger ourselves or other people that may be at the station

Synopsis of Thriller opening - David, Chris and Jamie

We want to keep the story of our thriller opening simple, but we also wish to make the veiwer want to carry on watching the rest of the film. We will do this through raising Enigma codes and use of restricted narrative.



The plot of our thriller will be based on a phycotic murderer who is pursuing a victim. We will base this in a village and the targeted victim will be at a train station when the attackes choses to strike. The victim is then taken back to a house where he is gagged and knocked out by the murderer, with the use of knives the killer will kill people from his list of targets. The list is kept in the form of pictures.

The film starts whilst the victim is on the floor of his house, there will then be a flashback and the story will follow from there.



Wednesday, 31 March 2010

More Editing - David Duffy

- Over the last few days we have completed the all of the required filming (only a few extra shots were required to be filmed on Monday and we have put our sequence together in a way that satisfies us

- We have used final cut pro for the majority of our editing process, we originally used imovie but the effects and transitions on that program were not sufficient for our needs

- We have put together an opening which we believe makes good use of close ups to disturb the veiwer, we are also relatively pleased with our depth of field as we have used shallow depth of field where we saw fit, although we would have preferred to make more use of long to extreme long shots to introduce a bigger variety but with a two minute limit we were restricted. And bearing in mind that this is only the opening of the film and we should make it seem that way, so it is good that we didn't make the mistake of creating simply a catalogue of shots in two minutes

- We think that our opening does carry enigma and raises questions to the veiwer that would be answered in the rest of the film

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