Rav Raav (David)

Rav Raav (David)

Group Roles

Chris Forrest:


- Storyboard artist

- Co-camera man

- Co-director



Jamie Hunnisett:

- Storyboard designer

- Co-camera man

- Actor



David Duffy:

- Co-Director

- co-cameraman

- Chief of Safety

Health and Safety considerations:

Lighting:
When using either the red heads or the portable lights we must make sure that any waires are taped up and that the lights themselves are on a stable base as so thay do not fall and cause injury. GLoves will be used when handling these lights, especially when they are turned on to avoid buring

Props:
As we are planning to use knives in our film we must make sure that we handle them with care, especially around other people

Trains:
We are going to be filming at a train station so we must take obvious precautions to not endanger ourselves or other people that may be at the station

Synopsis of Thriller opening - David, Chris and Jamie

We want to keep the story of our thriller opening simple, but we also wish to make the veiwer want to carry on watching the rest of the film. We will do this through raising Enigma codes and use of restricted narrative.



The plot of our thriller will be based on a phycotic murderer who is pursuing a victim. We will base this in a village and the targeted victim will be at a train station when the attackes choses to strike. The victim is then taken back to a house where he is gagged and knocked out by the murderer, with the use of knives the killer will kill people from his list of targets. The list is kept in the form of pictures.

The film starts whilst the victim is on the floor of his house, there will then be a flashback and the story will follow from there.



Tuesday, 9 March 2010

Textual Analysis research from David Duffy


http://www.youtube.com/watch?v=qkzPpaHqM9s

Character Types
- Male character, shown to be venerable and in obvious distress, always lying down below the woman to show inferiority
- Female character, shown holding weapons, obviously menacing and dangerous female character also shown to be obsessive
Mood/Themes
- Incredibly sinister throughout the trailer, although climax is built right up to the last moment
- The director has made the sequence become more frightening towards the end of the trailer - Themes of death and fear
Iconography

- Sledge hammer, usually associated with violence
- Knife, classic example of iconography - used in such films as Psycho, always associated with death and blood

Camera Shots

- Low angle point of view shots used to show superiority of woman over man in bed
- Close ups to capture emotions of characters, especially at tense moments
- Long shots to show the isolation of the house in the area
Point of view from the perspective of the man to make audience feel as if they are the ones being interrogated by the woman

Lighting
- Bright, high key lighting at the beginning of the sequence to show how the film starts in a non-sinister way, Dark, low key lighting towards end of the sequence to show how the situation of the man turns for the worse and the woman becomes more sinister and dangerous
Continuity Editing

- Early links between shots are slow fades, to show how the film starts off in a calm way. Towards the end of the sequence there is a series of sharp cuts, to build climax and create sense of tension

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