Rav Raav (David)

Rav Raav (David)

Group Roles

Chris Forrest:


- Storyboard artist

- Co-camera man

- Co-director



Jamie Hunnisett:

- Storyboard designer

- Co-camera man

- Actor



David Duffy:

- Co-Director

- co-cameraman

- Chief of Safety

Health and Safety considerations:

Lighting:
When using either the red heads or the portable lights we must make sure that any waires are taped up and that the lights themselves are on a stable base as so thay do not fall and cause injury. GLoves will be used when handling these lights, especially when they are turned on to avoid buring

Props:
As we are planning to use knives in our film we must make sure that we handle them with care, especially around other people

Trains:
We are going to be filming at a train station so we must take obvious precautions to not endanger ourselves or other people that may be at the station

Synopsis of Thriller opening - David, Chris and Jamie

We want to keep the story of our thriller opening simple, but we also wish to make the veiwer want to carry on watching the rest of the film. We will do this through raising Enigma codes and use of restricted narrative.



The plot of our thriller will be based on a phycotic murderer who is pursuing a victim. We will base this in a village and the targeted victim will be at a train station when the attackes choses to strike. The victim is then taken back to a house where he is gagged and knocked out by the murderer, with the use of knives the killer will kill people from his list of targets. The list is kept in the form of pictures.

The film starts whilst the victim is on the floor of his house, there will then be a flashback and the story will follow from there.



Wednesday 31 March 2010

Title editing - David Duffy

- We have completed our title sequencing, we have chosen to keep them simple to allow us to incoperate them into our film easily

- We chose a plain but non-boring font that isn't cliche, the text themselves do appear into our sequence but do not actually give any infomation about the narrative of the film - the white text does not provoke the viewer in any way and it is not designed to

- We have used fades to introduce each of the titles, this hopefully will mean that the text will not ;draw too much of the veiwers intentions as the titles bear no other significancxe other thatn to show who was behind the making of the film. Although having said that the title that actually presents the name of the film 'The List' is supposed to grab all of the veiwers intentions as it is in a shot of its own

- Although we were considering using the methods of Sual Bass, which would involve having a title sequence tottaly seperate from the narrative but still related, we decided that this would be very difficult given our lack of expertise of the advanced parts of final cut pro. This would have also eaten into our restricting two minute time limit

1 comment:

  1. You need to add some comments on the choice of title - what expectations would it create in the mind of the spectator?

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